AIGA Design Archives
Here are a list of designer’s that have really made me push me design ideas and create interesting pieces:
Alison Popp was once a Art Director and Designer for BBK studios, now known as People Design. The work she has featured credits were with being a designer, the Art Director, and couple of other things. However, the work featured was a web site that showed people the difference between the quality of Herman Miller products and other brands while taking you through the different styles and timeline of advertising back the beginning of the company to more modern times. Her work really makes me excited about web design and shows that web design doesn’t have to be boring. She has given me a real interesting web design and pushed me to make my work up to its full potential.
Linda Powell was a designer for Herman Miller, the work she has featured are across the board from typographic to more image based pieces. One piece which put me in the holiday spirit was the christmas card she did for Herman Miller. It was really cool the way she incorporated the shapes into the tree. One of the other pieces I liked was the typographic “Designers” piece. It showed a good eye for type and allowing people’s name to still be legible even when they were a bit distorted. Her overall approach and direction when she looks at my sketches and directions gives me good ideas and spark my idea’s when I get stuck.
MIlton Glaser is probably one of my biggest influences and makes his work stand out with his illustration skills and great sense of what works in different situations. The Bob Dylan promotion that he Designed for Columbia Records was really interesting in the color use and profile flat color outline. Of course you can’t forget the I heart NY poster he did along with the revision in 2001 after 9/11 where he place a small burn in the heart and attached: MORE THEN EVER to it. Overall he has made me focus on more illustrative qualities to my designing and maybe one day I will do my own illustrations.
Paula Scher who currently works for Pentagram, has become a favorite of mine with the more and more design work I see from her. Her striking use of photographic elements and interesting use of type have made me look to extremes when looking at designing for mediums I haven’t worked with, like my calender coat project. A good example of here interesting work is the ballet-tech advertisement that shows a really nice limbo image of a dancer in mid jump with striking colors. In another example Paula was a art director and also she was one of the designers for a environmental design project for the new location of Bloomberg Inc. where she help with graphics that served as floor markers all over the building. From the outside some numbers were placed where you could see them. She has overall made me expand my use of medium and pushed me to go over the top.

( PART OF THE BLOOMBERG PROJECT PAULA WORKED ON )
Michael Bierut he is another designer from Pentagram that really seems to range this in a bit more, however still seems to impress with the simple and interesting. One example is the What is good design? piece that he did for Pentagram. In this piece he took a piece of paper and in writing that looks like a young child may have done it, wrote out what good design is and simply left the background black. The isolation and interest is created making you read the message and through blacking out some words it shows that design isn’t always going to be right the first time. One other piece I wanted to mention was the Next Wave Festival brochure that takes type and chops off the bottoms without loosing the word. Moreover, he adds satyrical value with the hand waving. His style is simple yet effective and i’ve taken that to use with a couple projects I have done last year where less seemed to work better then more.

( JUST A SMALL SAMPLE OF HIS WORK )
Continuing to find interesting design work is something that will broaden my horizons ( LOL that’s a funny way of saying it) and not put myself in one style of design:
Ken Sakuri has a couple of designs in the archive and he uses a flat color style in two of the logos he designed. One of those is a logo for Duffy and Partner where he used flat color to place a p inside of a d that are kind of in the shapes of a quote bubble. The other is a outlined bottle for a bath oil. His style is interesting and I like the use of flat color.
Paul Davis is a illustrator and designer that has a lot of different projects that he has worked on. In a lot of his pieces he does illustrations of portraits like Che and Mickey Rooney and uses simple colors including red, blue and black. I would like to do more illustrated stuff on my own and he seemed to know what he was doing.
Jurek Wajdowicz is a designer and art director who is really talented with taking images and applying type to them that is unconventional but seems to work with most of his designs. “Isaac’s first swim” is an example of his style where he places the centered type on the water keeping with the perspective of the image. You can read some of the paragraph but you get what it says just from what you can read. He’s a good designer to look toward for typographic ideas.
Efrat Rafeaeli is a owner of his own design firm based in San Francisco. A design he has on the archives is pop style that was created with only 2-colors but contains what looks like cyan, yellow, and magenta. It’s interesting to know that he created a third color out of the paper selection that worked and did it on a small budget. He makes me think allot about paper selection and that design goes further then just what is on screen.
Paul Sahre is a owner of his own firm based in New york and allot of his designs are typographic. One of the most interesting ones I saw was “The secret lives cowboys” where the hand written type is in a white “sign here” box with one image of a open hilly scape and the other is a cowboy in a grocery store. However, the one piece that really caught my attention was a piece entitled “Exercises in Futility part IV poster” that is really funny because the type is really condensed and you can hardly read it. It shows that to have a good design it doesn’t always have to be legible (case in point: David Carson LOL).
3 years ago • 0 notes

